SSBU catalog › Details for: History of Myanmar music in Mandalay( 1948-1988) /

Normal view MARC view ISBD view

History of Myanmar music in Mandalay( 1948-1988) / Than Than Soe, English.

By: Than Than Soe 2013 4PhD-Hist-6

Material type: Text

TextPublisher: Mandalay: University of Mandalay, 2013Description: xii, 163 p. , Included images. 29 cmSubject(s): Myanmar music -- Mandalay -- History -- 1948 to 1988

DDC classification:

Contents:

Introduction Chapters 1. The general conditions of Myanmar music before 1948 2. Musicians of Mandalay 3. Famous vocalists and the development of Myanmar music 4. Art associations of Mandalay Conclusion.

Dissertation note: This dissertation examines the development of Myanmar music of Mandalay from 1948 to 1988. In the research works, the nature of Myanmar music and its development, Mandalay musicians and their works, celebrated performers of Mandalay and their socio-economic life, music bands and stage performances of Mandalay called A -nyeint and development of A-nyeint songs are discussed in detail. The facts of why Mandalay was recognized as the heart of Myanmar culture, how the musicians of Mandalay handed down the cultural legacy from generation to generation and why the development process of Myanmar music shifted to Yangon and Lower Myanmar were also discussed. In other words, the discussion made on the role of Mandalay in the development of music and culture of Myanmar. PhD University of Mandalay 2013.

List(s) this item appears in: Ph.D (Thesis)

Average rating: 0.0 (0 votes)

Holdings ( 1 )
Title notes
Comments ( 0 )

Item type	Current location	Collection	Call number	Status	Date due	Barcode	Item holds
Reference	Shan State Buddhist University Library Reference Shelves	Reference Collection	T-34 Ph.D	Not For Loan

Total holds: 0

This dissertation examines the development of Myanmar music of Mandalay from 1948 to 1988. In the research works, the nature of Myanmar music and its development, Mandalay musicians and their works, celebrated performers of Mandalay and their socio-economic life, music bands and stage performances of Mandalay called A -nyeint and development of A-nyeint songs are discussed in detail. The facts of why Mandalay was recognized as the heart of Myanmar culture, how the musicians of Mandalay handed down the cultural legacy from generation to generation and why the development process of Myanmar music shifted to Yangon and Lower Myanmar were also discussed. In other words, the discussion made on the role of Mandalay in the development of music and culture of Myanmar. PhD University of Mandalay 2013.

Included bibliography.

Introduction
Chapters
1. The general conditions of Myanmar music before 1948
2. Musicians of Mandalay
3. Famous vocalists and the development of Myanmar music
4. Art associations of Mandalay
Conclusion.

There are no comments on this title.

to post a comment.